Couvre-plateau Serene.
maîtrisez les vibrations.

£75.00

Un système de suspension pour le vinyle
Moins de vibrations sous le disque, plus de musique au-dessus.

Le couvre-plateau SERENE offre à vos disques une assise d'une grande sérénité. Des patins suspendus finement accordés, dotés chacun d'un ergot en relief, centrent le poids du disque sur les ressorts, qui absorbent les micro-vibrations dès leur apparition. Résultat : des vibrations mesurablement réduites sur une large plage de fréquences.

Critique Avis

“I don’t know how the people at Stack Audio alighted upon the formula for what they have achieved, but if you can afford their products, you really should.

Avis de The Ear

“At the asking price, it’s a no-brainer for me, and so this review ends like the first one about Stack Audio: These things are here to stay.”

Avis de FairAudio

“The mids & the upper mids are more natural and realistic when using the SERENE Mat.

Avis de The Audiophile Man

“With the SERENE Mat, I experience, regardless of the age of the player, more openness, liveliness, and texture in the bass. If you like to listen to vinyl, then it is worth seriously considering this…

Avis de HiFi.NL

“A remarkable sense of dynamic and transient response increase”

Avis de An Aussie Audiophile

Tous les avis

La plupart des couvre-plateaux sont un simple accessoire. Celui-ci est le fruit d'une véritable ingénierie

Un couvre-plateau ne dispose que de quelques millimètres. Pour absorber les vibrations dans un espace aussi réduit, il doit pouvoir fléchir.

Un couvre-plateau classique se compose de deux ou trois millimètres de feutre, de liège ou de silicone, et un disque est bien trop léger pour le faire fléchir.

Les patins suspendus du SERENE sont accordés pour fléchir. Pour y parvenir, il a fallu 29 itérations, testées par modélisation informatique. Puis nous avons écouté, et nos oreilles ont confirmé ce que la modélisation avait révélé.

Les résultats ci-dessous montrent la différence.

Comparé au feutre, au liège et au silicone

↻

Ce que cela montre

La ligne blanche représente le niveau maximal de vibrations potentielles sans couvre-plateau, représenté à plat comme un pire cas simplifié, car les vibrations réelles varient selon l'installation. La zone bleue correspond à ce que le couvre-plateau SERENE absorbe à chaque fréquence.

↻

Ce que cela montre

La même ligne du pire cas, avec cette fois des couvre-plateaux de 3mm en feutre, en liège et en silicone. Chaque ligne colorée culmine là où le couvre-plateau entre en résonance, laissant les vibrations remonter vers le pire cas. Le couvre-plateau SERENE reste bas sur toute la plage de fréquences.

Détails techniques

Compatible avec les disques 7”, 10” et 12” de tous grammages

Silicone à formulation spécifique

4 patins suspendus accordés (brevet en instance)

Compatible avec les palets et presse-disques sans vis (jusqu'à 500g)

Caractéristiques physiques

Dimensions

(D) 295.4mm (H) 3mm, trou central (D) 7.5mm

Contenu de la livraison

1 x couvre-plateau SERENE

Line drawing of the SERENE Mat from above

FAQs

Le couvre-plateau SERENE mesure 3mm d’épaisseur. Les couvre-plateaux d’origine en feutre ou en caoutchouc sont souvent un peu plus fins : sur de nombreuses platines, votre bras se trouvera donc environ un millimètre plus haut au niveau du disque qu’auparavant.

Si votre bras dispose d’un réglage en hauteur, un léger rehaussement suffit à retrouver votre réglage initial. Dans le cas contraire, comme sur la plupart des bras Rega, vous pouvez tout de même utiliser le couvre-plateau : des propriétaires de la Planar 2 jusqu’à la P10 et à la Naia l’utilisent, et un propriétaire de Rega P6 nous a confié que l’absence de réglage du VTA ne devait pas vous en dissuader.

Chaque système est différent, nous ne pouvons donc pas vous dire précisément ce que vous entendrez. Ce que les propriétaires évoquent en premier, c’est le silence : le bruit de fond s’efface et des détails qui ont toujours été présents sur le disque ressortent, avec une focalisation plus nette et davantage d’espace autour des instruments.

Le gain est généralement le plus marqué par rapport à un simple couvre-plateau en feutre ou en caoutchouc. Sur les platines dont le plateau est déjà fortement amorti, certains propriétaires trouvent la différence plus subtile.

Le plus simple pour le savoir est de l’essayer chez vous pendant 60 jours ; s’il ne vous convient pas, nous le reprenons.

Le couvre-plateau SERENE mesure 295.4mm de diamètre, avec un trou central de 7.5mm. Il se pose sur tout plateau plat d’au moins ce diamètre, y compris les plateaux des Technics de la série SL-1200 et de type DJ, où il reste en retrait du bord au lieu de dépasser.

Si votre plateau comporte un rebord surélevé, mesurez l’intérieur : il vous faudra au moins 295.4mm pour que le couvre-plateau repose bien à plat.

Il a été développé et évalué à l’écoute sur des platines suspendues comme rigides, à entraînement par courroie comme à entraînement direct.

Oui. Retirez votre couvre-plateau actuel et posez le couvre-plateau SERENE directement sur le plateau propre, face plane vers le bas et patins vers le haut.

Les patins suspendus ont été accordés pour reposer directement sur le plateau. Ajouter un autre couvre-plateau en dessous rehausserait encore votre bras et introduirait une couche pour laquelle la conception n’a pas été modélisée.

Les presse-disques et palets qui se posent simplement sur l’axe conviennent jusqu’à 500g, y compris le SERENE Stabiliser. Les pinces à visser ne sont pas compatibles : elles exercent une pression supérieure à celle prévue pour les patins suspendus, qui ne peuvent alors plus remplir leur rôle.

Le couvre-plateau convient aux disques 7 pouces, 10 pouces et 12 pouces.

Nettoyez le plateau, posez le couvre-plateau face plane vers le bas avec les quatre patins vers le haut, alignez le trou central sur l’axe et placez votre disque dessus.

Si vous vérifiez la force d’appui, faites-le avec le couvre-plateau et un disque en place, dans les conditions d’écoute.

La plupart des propriétaires décrivent un fond plus silencieux, des basses plus tenues et davantage d’espace, plutôt qu’un changement d’équilibre tonal.

Il modifie toutefois le comportement du disque et, dans quelques systèmes, souvent déjà réglés pour un rendu détendu, des propriétaires ont trouvé le résultat un peu trop généreux dans le grave. Si c’est le cas chez vous, l’essai de 60 jours à domicile est justement là pour cela.

Essayez-le chez vous pendant 60 jours. S’il ne vous convient pas, nous organisons l’enlèvement, prenons en charge les frais de retour et vous remboursons intégralement, sous réserve que les pièces soient complètes et en bon état.

Le couvre-plateau SERENE n’est pas vendu comme un couvre-plateau antistatique, et nous n’avons pas mesuré l’électricité statique. Plusieurs propriétaires nous ont toutefois indiqué une nette diminution de l’électricité statique après l’avoir adopté.

Nous contacter

Contactez notre équipe pour obtenir des conseils afin d'améliorer les performances de votre système.

info@stackaudio.co.uk
+44 (0)1626 249 005
Lun – Ven / 08:00 – 16:00 heure du Royaume-Uni
Laissez un message et nous vous répondrons

Customer Reviews

“I was so impressed at the difference the mat made to my Rega P10 that it hasn’t been off my turntable since it first went on!”

John R - UK

Used with: Rega P10 turntable

"The Stabiliser lends a slightly more detailed and open presentation to the sound of vinyl, with a tight bass and more transparent midrange and treble apparent."

"Having auditioned and purchased Stack Audio AUVA EQ footers (3 for under my turntable and a set of 4, to support my power amp) back in March, this year, I decided to take a punt on their latest stable additions of SERENE Stabiliser (record puck) and SERENE platter mat.

The SERENE Stabiliser is quite lightweight, for a record puck, weighing in at less than 100g, and costs £195. The SERENE Mat sells for £75 and both are available, together with a 60 day, money back guarantee, from The Stack Audio website.

Both items are exceptionally well made and presented in Stack Audio’s usual sturdy packaging and it is obvious that a lot of thought and innovation has gone into their design and manufacturing.

I began by replacing my usual record puck (the substantial Stillpoints LP1, weighing a “satanic” 666g on my TW Acoustics Raven One turntable (a non-suspended design, which I have owned since 2010). The heavy Stillpoints LP1 is not really suitable for a turntable with a sprung suspension, but I have used it in conjunction with my Raven One, without issue.

In comparison, the Stack Audio SERENE Stabiliser lends a slightly more detailed and open presentation to the sound of vinyl, with a tight bass and more transparent midrange and treble apparent. I suspect that the weight of the Stillpoints LP1 enhances the bass at the expense of slightly suppressing the mids and highs.

There is no “leanness” to the bass when the SERENE Stabiliser is used, but everything comes together, when the puck is deployed in partnership with the SERENE Mat.

The combination of the two results in what I would describe as a reduction in “record roar” - the noise of the stylus tracing the record groove and resulting in a reduction in the system noise floor and overall background hash, usually associated with vinyl replay, when compared to digital.

The combination of puck and mat lends a some what euphonic presentation to the sound, by which I mean, that everything sounds very musical and wholesome.

For those interested in the technological background, I would refer you to Stack Audio’s website for a full explanation, but the bottom line is all about vibration control, the puck dealing with vibration from the turntable bearing and spindle and the mat, with it’s four dimple “suspensions” dissipating the vibration within the revolving vinyl record.

The Aussie Audiophile also has some interesting thoughts on his YouTube channel.

With the 60-day money back guarantee and generous forum discount code (maverick5), for an outlay of just over £260 for puck and mat, I would urge you to give it a try!"

Steve C. - UK

Used with: Roksan Xerxes 20 turntable

"You guys are some of the most creative thinkers in the industry. The Mat and the SERENE make “small but meaningful improvements”. But that word “small” vs the word “meaningful”, lets cogitate in that a bit. It’s like a round house kick when you learn to properly turn your hip - that’s small, but results in being able to knock a sucker out or pulverize their leg and end the fight. Or that small paycheck bonus that sends you in a life -changing trip to Thailand, or the wife that finally gets a small job but now you can retire 5 years early. Or when you learn to properly use acid when you’re cooking and flavoring to taste- it’s just a squeeze of lemon or a cap full of vinegar, but it transforms the dish into something merely good into something completely phenomenal."

KC

Used with: Linn LP12 turntable

"The Stack Audio SERENE Mat has more depth and a smoother presentation. Bass depth on Jazz Sabbath is noticeably stronger, especially on the bass drum and richness of the piano."

My initial thoughts are below (in too much detail) for the LP12 and the P10—they were initially inconclusive until I adjusted the VTA (at Paul Knipe’s very experienced suggestion) on the LP12 to suit the mat thickness of the SERENE. That adjustment made a marked difference in my findings for the SERENE.

On Friday night, I compared six albums over and over for 3–4 hours: Jazz Sabbath (jazz trio), Judas Priest's Serpent and the King and Invincible Shield (lots of layered guitars, vocals, and drums), Gary Numan (complex industrial sounds), Leonard Cohen's You Want It Darker, Steve Hackett's Guitar Noir (Side 1—layered, sometimes messy mixes), and Philip Bailey's Easy Lover (which can sound thin but has lots going on). Since then, I have tested at least a dozen complete albums.

The SERENE mat is thicker (3mm), and I did not adjust the VTA between changes initially or any other settings on my tonearm, as any comparisons would have been too slow to audibly hear. I have, however, now adjusted the VTA to suit the Stack Audio SERENE Mat and resumed comparisons after several hours. The VTA adjustment made a significant enough difference here, and this comparison helped me hear it clearly. The VTA of my arm was originally set for a thinner mat.

Differences were actually quite easy for me to hear without the VTA adjustment—and I don’t always notice anything unless it’s truly adding or removing something, including background noise. I am not one for the “blacker blacks” or “my wife walked into the room and could hear the difference” nonsense. I tried the SERENE Mat with the SERENE Stabiliser for fairness on the same sections of tracks, backward and forward repeatedly. Adjusting the VTA made this a much fairer comparison on the LP12.
Initial Thoughts (LP12)
The Stack Audio SERENE Mat has more depth and a smoother presentation. Bass depth on Jazz Sabbath is noticeably stronger, especially on the bass drum and richness of the piano. This mat has more "weight" in its presentation but initially felt slightly messier on complex mixes, vocals, and midrange until I adjusted the VTA to suit. After this adjustment, there was a clear improvement.

The mat is beautifully designed, and while it's a rubber mat, records lift off easily while spinning because they sit on small compressing rubber domes.

Conclusions So Far
Without adjusting the VTA:
If you have a brighter sound that needs taming or something that lacks weight, the Stack Audio SERENE Mat is ideal, particularly on the Rega. It excels in instrumental music, jazz, and some orchestral recordings. The music sounded more neutral, with a balanced frequency range but initially lacked some spark until the VTA was adjusted.

With the VTA adjusted:
It retained all the clarity of the other mats I’ve tested, but with added depth and richness that worked well across every genre I played. Once I adjusted the VTA, the mat worked brilliantly on everything I tested.

Initial P10 Thoughts
On the P10, before adjusting the VTA, the sound was initially less dynamic, with a flatter tone compared to other setups. Cymbals, vocals, and drums sounded less alive, and I found myself increasing the volume more with the SERENE Mat to achieve the same drive. However, the P10’s VTA adjustment options are more limited, meaning further adjustments to suit the SERENE Mat would require additional effort. Even so, the mat and SERENE Stabiliser combination still improved isolation and damping, helping to retrieve more detail.

Overall
The Stack Audio SERENE Mat, particularly when paired with the SERENE Stabiliser, is an excellent upgrade that clearly enhances detail retrieval and musicality. It’s remarkably well-made, and the technology and research behind it show in its performance. The mat's ability to isolate and damp vibrations ensures a cleaner, more precise sound, particularly on the LP12 with its greater VTA flexibility.”

Brian M. - UK

Used with: Linn LP12, Rega P10 turntables

"Bravo Theo & Josh! Finally a mat that works as promised and more. Hesitating between SA stabiliser and the mat, for my Rega P6 following Josh's recommendation to begin with I replaced the factory felt mat with the SERENE mat. Sonic upgrade is comparable to a replacement of a cartridge for a much more expensive / refined one for just below EUR 100 price tag: the whole musical presentation got instantly well organised across all frequencies, no static whatsoever, evident reduction in the record floor noise, the serene tonality applied but the overall dynamics revamped at the same time. Similarly to AUVA 70s stabilising and dampening effect under my PMC twenty5.24 speakers, there is a sense of a rigid grip between a platter, the SERENE mat and a record. In my system the lower octave/ bass is where everything has been finally properly organized and structured. Same as with AUVA EQs under my amp and a streamer, the mat has made vocals and guitars more lifelike/natural while any sibilance or harsh treble notes present on the felt mat are now gone. For any Rega owners, do not let no VTA adjustment on your Regas put you off from at least giving the SERENE mat a try (see the parallel angle of a tonearm vs the platter on my Rega P6). One thing to consider: the mat is 180g heavy so I would recommend giving your Rega platter a gentle supportive push to take away the increased starring effort from the engine and the belt. Highly recommended."

Daniel T. - Poland

Used with: Rega P6 turntable

"The combination of the enhancer and met is simply superb. It works with the tt3 really well. To put in perspective we are at a concert with the SCO doing a performance of Bach's Christmas cantata.

The increased sense of realism with the two together is brilliant. Timpani sounding more realistic with real whack on occasions  Cymbolsa really sounding like metal being stuck . Strings sweeter when played that way.

When the whole orchestra play its more cohesive and clearer.

My wife Susan agrees and has no interest in hifi , but has a good pair of ears."

Ian N - UK

Used with: Audio Note TT3 turntable

"First impressions it feels and looks a quality product superior to my original Garrard mat which is practically like new it certainly improves the look of my deck.

Sound quality first impressions well first off this should be a pretty good evaluation as the deck is idler wheel driven thought by many to be noisy not by me though this test is just using the mat.

The first thing I notice in my system is more body and focus to the sound there is a smoothness and airiness to the sound defiantly a noticeable improvement you get the impression the noise floor is lowered this is all compared to my original Garrard mat to me this would also be a superb update especially for people that may feel any form of record clamp or puck would harm the bearing or spoil the aesthetics of there deck."

David A - UK

Used with: Garrard 401 turntable

“All I can say is wow! It's hard to describe sound in general, but the whole presentation is more composed. It sounded great before but there is more focus now, more detail and clarity.”

Marlon C. - SE

Used with: Technics SL-1210GR turntable

“it is like getting a whole new turntable”

Lars M. - DK

“I can honestly say that I've never thought less about the equipment itself while listening to music — it simply disappears, leaving only the music.”

Marcus B. - DE

Used with: Transrotor Piana turntable

“The first thing that struck me were the dynamics. They were instantly improved, along with timing and coherence”

Tony S.

Used with: Pear Audio Blue Arus turntable

“These SERENE products are amazing, I'm enjoying them thoroughly”

Ricardo P. - US

Used with: Linn LP12 turntable

“Everything had changed to the better. Timbre, tone, timing, room, dynamics etc”

Jens R. - DK

Used with: Audio Note TT3 turntable

“Improvements to levels of detail and soundstage were the most obvious improvements.”

Peter - UK

Used with: Vertere MG-1 turntable

“I really like the SERENE mat a great deal. I think all the products Stack sells are beautifully made and superbly engineered.”

James

Used with: Linn Axis turntable

"My initial impression was that the SERENE Matt & Stabilise have similar effect - removing smear increasing solidity and depth and operation of musical threads - while preserving the coherence / whole. If you get my meaning. The combination of Matt / Stabiliser really moved the needle.

In isolation I preferred the Stabiliser / Felt Matt combination to the SERENE Matt only. But without the Stabiliser - the SERENE matt is clearly better than the felt matt. VTA was not optimised - but the effects were never-the-less quite clear I expect every better performance once I've tuned my system.up."

Richard N. - UK

Used with: Linn LP12 turntable

"The SERENE mat has finally arrived. The wait has been hard for me since I learned how good Stack Audio's products are. In the meantime, I can no longer listen to my LP12 without the "SERENE stabilizer". So now it's time to get to grips with the iconic felt? So I take my special pressing of Jazz at the Pawnshop, Struttin' with Some Barbecue.

First I listen with Puck, but without the Mat. Sounds great! Then with the Mat and Puck right at the intro, the clapping was more energetic and spatial. The saxophone had more body. The low frequencies of the instrument were clearer. Then the bass. Was better localized and clearly outlined. Every note is crystal clear. When the whole orchestra enters, nothing is blurred. Everything stays in place and remains crystal clear. Phenomenal! Great value! Congratulations to Stack Audio!"

Andreas H - Switzerland

Used with: Linn LP12 turntable

“They have really lowered the noise floor and I'm hearing a lot more of the details.”

Kin Seng C. - SG

“one of the best upgrades I’ve done to my turntable”

Dave - UK

“obvious improvements in clarity and separation as well as better bass definition”

Peter - UK

Used with: Rega Naia turntable

“Bass is cleaner and textured. Vocals became very clear as everything suddenly snaps into focus.”

Hong - BN

Used with: Linn LP12 turntable

“the degree of improvement is still there and my analogue playback sounds the best it ever has.”

Steve J. - UK

Used with: Rega P6 turntable

“in combination with my new Rega P8 it brings amazing audio and subtleties in the music, especially on lp’s I know very well.”

emiel b. - NL

Used with: Rega P8 turntable

“But it's when I got the mat and stabiliser on my 1200 mk 7 ltd decks that it was a amazing improvement .”

Mike - UK

Used with: Technics SL-1200 GR2 turntable, Technics SL-1200 MK7 turntable

“Right from the first play, the improvement in dynamics was clear — more energy, more life, and a greater sense of musical involvement.”

Barry J. - AU

Used with: Acoustic Signature Tornado Neo turntable

“we still can’t believe what a dramatic shift it creates in sound separation and even delivering new sound in old familiar vinyl!”

Adam S - UK

Used with: Clearaudio Concept turntable

“The definition of instruments became more defined and clearly more representative of experiences when hearing the sounds in a live concert.”

Richard B. - UK

Used with: Linn LP12 turntable

“absolutely love the improvements brought to my record playing experience and the performance of my turntable”

Clinton - UK

Used with: VPI turntable

“The playback is much cleaner and the soundstage has a lot more clarity as well.”

Michael - UK

“what I hear is extra detail and a tighter more controlled bass.”

Kevin B. - UK

Used with: Marantz TT-15 S1 turntable

“It improves the quality of sound across-the-board, separation ,clarity, tonal balance, bais response everything. It dropped the noise floor”

Christopher P. - CA

Used with: Linn turntable

“The mat went on first, and as advertised, both treble and bass seemed to be enhanced.”

John H. - UK

Used with: Rega P6 turntable

“Immediately I noticed a deeper and more precise bass, followed by at more open and better defined sound stage.”

Claus - DK

Used with: Linn Sondek LP12 turntable

“have been using the record mat and stabiliizer, and love them”

Reed K. - US

Used with: VPI turntable

“it sounds amazingly quiet and detailed.”

Talbott

Used with: Rega RP-10 turntable

“faster transient response, with better timing and dynamics. The mid range is fuller and the highs better controlled”

Richard P. - UK

Used with: Pro-Ject X8 turntable

“just more air and deeper tighter bass as well.”

Casper - DK

Used with: Audio Note TT3 turntable

“It seemed to bring out hidden detail that I have never heard before.”

Roger Walters - UK

“the SERENE mat has resulted in a further improvement to my system and I'm really enjoying the results. Hearing something new in albums I've had for 40+ years!”

Raymond G. - US

Used with: Technics SL-Q2 turntable

“The soundstage improved and bass is more defined.”

Mike P.

“your mat produces the best resolution to peak vocal grain in her and the backup singer's phrases.”

Peter C. - AU

Used with: Rega P10 turntable

“Everything is much calmer and better sounding with detail that was hidden before making listening much more enjoyable.”

David Fenwick - UK

“everything sounds better bigger more open and crystal clear”

Steven - UK

Used with: Technics SL1500C turntable

“the two together are fantastic and really reduce noise as I'd hoped.”

David H. - UK

Used with: Vertere DG-1S turntable

“quite noticeable improvements in separation and clarity, particularly on more dense material”

Ian B. - UK

“the performance of the products has well exceeded my expectations”

Malcolm W. - UK

Used with: Rega P2 turntable

Tous les avis

Critique Avis

“I don’t know how the people at Stack Audio alighted upon the formula for what they have achieved, but if you can afford their products, you really should.

Avis de The Ear

“At the asking price, it’s a no-brainer for me, and so this review ends like the first one about Stack Audio: These things are here to stay.”

Avis de FairAudio

“The mids & the upper mids are more natural and realistic when using the SERENE Mat.

Avis de The Audiophile Man

“With the SERENE Mat, I experience, regardless of the age of the player, more openness, liveliness, and texture in the bass. If you like to listen to vinyl, then it is worth seriously considering this…

Avis de HiFi.NL

“A remarkable sense of dynamic and transient response increase”

Avis de An Aussie Audiophile

Tous les avis

Acheter le couvre-plateau SERENE

Couvre-plateau SERENE
Couvre-plateau SERENE

Couvre-plateau SERENE

description

Le couvre-plateau SERENE présente une conception déformable unique, dotée de coussinets à ressort précisément accordés qui absorbent les micro-vibrations avant qu’elles n’atteignent le disque.

£75.00TVA incl.

1
  • Satisfait ou remboursé 60 joursRemboursement intégral, enlèvement gratuit
  • Livraison gratuiteOn orders over £250
  • Expédition régionaleExpédié sous 2 jours ouvrés
  • Très bien noté sur TrustPilotJugé « Excellent » par nos clients
SERENE Stabiliser

Développés en tandem

Le couvre-plateau SERENE agit sous le disque ; le stabilisateur agit au-dessus, posé sur l'étiquette.

The SERENE Mat offers a unique, deformable design featuring precisely tuned sprung pads that absorb micro vibrations before they can reach the record. Serving as a SERENE foundation for your records, it enhances the overall listening experience by revealing hidden layers of music that might otherwise remain unnoticed. Backed by detailed measurements, this mat significantly improves clarity and depth, uncovering nuances in your vinyl for a richer, more immersive sound.

The Mat consists of finely tuned sprung pads, each with a raised nib that centres the record’s weight onto the springs. This focused weight activates the springs, allowing them to absorb micro-vibrations that conventional mats can’t address. Crafted from a specially formulated silicone, the patent-pending SERENE Mat isolates the record from distortions, enhancing clarity and revealing hidden details in your music.

UK orders ship from our UK warehouse, with UK VAT included.

All European orders ship from our warehouse in the Netherlands, with your country’s VAT included at checkout, so there are no import duties to pay on delivery.

All US orders ship domestically from our US fulfilment centre. A 10% price adjustment covers pre-paid import costs, so the price you see is the price you pay, with no customs delays.

All Australian orders ship from our Australian fulfilment centre. A single location-based price adjustment covers GST, import handling and processing upfront, so the price you see at checkout is the final price you pay.

Orders to the rest of the world ship from our UK warehouse and are shown without VAT. Local import duties and taxes may be charged on delivery.