Aisladores AUVA EQ.
Silencie el ruido no deseado.

£198.00
AUVA EQ equipment isolators

Las vibraciones causan
interferencias.

Aísle sus equipos
con el AUVA EQ

El AUVA EQ está diseñado para aislar sus equipos de las vibraciones internas y externas, para que rindan a su máximo potencial.

Cada elemento del diseño se basa en mediciones, modelado matemático y escucha crítica, lo que garantiza un rendimiento técnicamente sólido y musicalmente significativo.

Crítica Opiniones

“What these petite stunners do there feels far too substantial for the outlay involved, and that, to me, is the best thing about them. Considering how the AUVA EQ behaves under electronics, and how…

Reseña de HiFi Knights

“With the EQs in place, the image deepened considerably. Paul Chambers’s bass moved to a specific position in space. Bill Evans’s piano gained a rightward placement that the recording clearly intended…

Reseña de HiFi Daydreaming

“I placed a set of AUVA EQs under the Laiv Harmony DAC and immediately noticed the sound became cleaner and clearer—without tipping into sharpness or excessive analysis.

Reseña de iiWi Reviews

“The spatial representation of the music becomes more tangible and natural. The more realistic, more concrete representation of the virtual stage seems to me to be the key point of the AUVA EQ.”

Reseña de FairAudio

“The Stack Audio AUVA EQ Isolators are a game changer. They gave me the perfect balance of Isolation and Sound performance”

Reseña de Vinyl Latte

“With the feet, the Stereo image was fixed, locked straight ahead.”

Reseña de Paul Rigby

“With the EQs in place, there was a percussive thump to the leading edge of the drumbeat that was lessened when the EQs were removed. Also, with EQs, the drumbeat held its own behind the bass. Without…

Reseña de HiFi Pig

“The AUVA EQs work as promised and do so in an excellent manner.”

Reseña de HiFi.NL

“throwing a ball into soft sand –the sand absorbs the energy from the ball, preventing it bouncing.”

Reseña de Jason Kennedy

“It was different with the AUVA EQs. Sound became more three-dimensional with them, more”

Reseña de HighFidelity Magazine

“I review many good products, but occasionally there is a product that blows me away. This is such a product.”

Reseña de Hans Beekhuyzen

Todas las reseñas

Cómo funciona Así funciona AUVA EQ

El AUVA EQ utiliza un diseño híbrido con patente en trámite que combina la amortiguación por partículas AUVA con el desacoplamiento CSA para reducir las interferencias que pueden empañar la pureza de la señal.

AUVA utiliza la amortiguación por impacto de partículas para absorber las vibraciones e impedir que se reflejen. La carcasa está en contacto directo con el componente de alta fidelidad, lo que ayuda a disipar las vibraciones internas en su origen.

Los equipos de alta fidelidad rinden mejor cuando existe un cierto movimiento controlado entre ellos y la superficie. El CSA está afinado con precisión para una amplia gama de frecuencias habituales en entornos de escucha reales.

Mediciones independientes

↻

Detalles técnicos

Los AUVA EQ están diseñados para colocarse entre sus componentes de alta fidelidad y el estante o mueble que los sostiene. Son adecuados para una amplia variedad de componentes (incluidas fuentes, procesadores digitales y amplificadores) y están disponibles en juegos de tres o cuatro para adaptarse a su equipo.

AUVA EQ isolator – side viewAUVA EQ isolator – top view

Características físicas
Especificaciones

Tamaño(D) 50 (H) 28mm
CSA 10-4kg, (0-9lbs) por aislador*
CSA 24-10kg, (9-22lbs) por aislador*
CSA 310-15kg (22-33lbs) por aislador*

Cada EQ es regulable en altura hasta 3mm para una nivelación precisa.

*Todos los pesos son por aislador: divida el peso de su equipo de alta fidelidad entre el número de aisladores que vaya a utilizar para determinar qué inserto CSA necesita.

FAQs

Todas las especificaciones CSA son por aislador, así que divida el peso de su equipo entre el número de EQ que vaya a utilizar.

CSA 1: hasta 4kg (9lbs) por aislador CSA 2: más de 4kg, hasta 10kg (22lbs) por aislador CSA 3: más de 10kg, hasta 15kg (33lbs) por aislador

Por ejemplo, un amplificador de 20kg sobre cuatro EQ reparte 5kg en cada uno, por lo que elegiría CSA 2.

Cada CSA está ajustado para su propia categoría de peso, así que elija la clase en la que se sitúe su peso en lugar de optar por la superior por precaución. Por ejemplo, un componente de 15.8kg sobre cuatro EQ reparte algo menos de 4kg en cada uno, por lo que CSA 1 es la elección correcta.

Si se equivoca al pedir, no se preocupe. Los insertos CSA son intercambiables y se los cambiaremos con mucho gusto.

Utilice el mismo número de EQ que patas tenga su equipo. Los juegos incluyen cuatro aisladores, o tres bajo petición.

Si las patas se desmontan con facilidad, coloque los EQ exactamente donde estaban. Así el peso se reparte tal como lo previó el fabricante.

Si las patas no se pueden quitar, coloque los EQ lo más cerca posible de ellas. Muchos usuarios obtienen el mejor resultado colocándolos directamente bajo las patas existentes.

La cara de silicona se apoya en su estantería o rack, y la parte superior de aluminio queda en contacto con su equipo.

Sí, bajo tocadiscos rígidos. No los recomendamos para diseños con suspensión como el Linn LP12, en los que la propia suspensión ya se encarga del aislamiento.

Los EQ se apoyan libremente, sin atornillarse. Si desea mayor seguridad, puede colocar una fina almohadilla adhesiva de doble cara entre el EQ y el chasis, siempre que tenga menos de 1mm de grosor.

Sí. Cada EQ mide 50mm de diámetro y 28mm de altura, y su altura puede ajustarse hasta 3mm para una nivelación precisa.

Sí. Para equipos de menos de 4kg, utilice los finos discos de goma incluidos en cada juego entre el EQ y la base de su equipo. Evitan los pequeños movimientos que un componente ligero puede producir sobre la carcasa.

No hay una regla fija, ya que cada sistema es distinto. El EQ funciona bajo fuentes, DAC, streamers, amplificadores y fuentes de alimentación.

Incluso los componentes sin piezas móviles se ven afectados por las vibraciones. Los condensadores cerámicos, por ejemplo, varían ligeramente su valor al vibrar, y hay cientos de ellos en una cadena de audio típica. Los equipos de válvulas se benefician especialmente, ya que el EQ reduce notablemente la microfonía.

El AUVA EQ está diseñado para electrónica. Para altavoces, elija nuestros aisladores para altavoces AUVA, y para subwoofers, el AUVA SW. Ambos están diseñados y ajustados para esas cargas.

El AUVA EQ es un aislador híbrido de dos partes. La mitad inferior es un amortiguador de silicona ajustado que actúa como muelle neumático y aísla su equipo de las vibraciones transmitidas por la estructura. Encima se sitúa la célula AUVA, en contacto directo con el chasis de su equipo, donde las partículas son excitadas por la vibración y la disipan.

No. Los amortiguadores de silicona están diseñados para un rendimiento duradero y no se comprimen ni se degradan con un uso normal. Si cambia de equipo más adelante, puede pasar a otro CSA.

Dispone de 60 días para probarlos desde el día en que los reciba. Si no le convencen, organizaremos la recogida, cubriremos los gastos de devolución y le reembolsaremos el importe íntegro, siempre que las piezas estén completas y sin daños. Válido en todo el mundo.

Contacte con nosotros

Hable con nuestro equipo para recibir asesoramiento sobre cómo mejorar el rendimiento de su sistema.

info@stackaudio.co.uk
+44 (0)1626 249 005
Lun – Vie / 08:00 – 16:00 hora del Reino Unido
Déjenos un mensaje y le responderemos

Cliente Opiniones

"Applying AUVA feet to the preamplifier added significant gains. The centre image became more solid and stable, and vocals were rendered with greater focus and presence. Micro-dynamic expression improved, particularly on vocal recordings where subtle inflections and tonal variations became easier to follow.

The biggest surprise came when installing AUVA feet under my mono power amplifiers (D’Agostino M400 MxV). The improvement here was far greater than expected. The soundstage expanded significantly in all dimensions, not just width, but depth and height, and importantly into the room itself. On several recordings, instruments extended beyond the speaker boundaries and even slightly behind the listening position, creating a highly immersive experience.

Vocal reproduction improved again, with more body, texture and realism. Low-level details such as audience noise, coughs and subtle ambience cues became clearly audible and precisely located. Bass remained powerful but gained even greater control and articulation, with less sense of it being tied to the room or subwoofer location."

Marc K. - UK

Used with: D'Agostino M400 MxV mono power amps

"With the AUVAs the body of the piano was fuller, more three dimensionally carved in space, and the depth and dimensions of the space around the piano was much more defined. And the whole presentation appeared bigger. The piano itself was presented with more authority, and a sense of ease."

Review of Stack Audio AUVA EQ

"With this latest addition of AUVA EQs it was time for my DAC to get the upgrade that has previously transformed the performance of my Cayin CS-88A tube amp, Denon DCD-1700NE used as a CD-transport, and Usher SD-500 speakers.

Every time I make a change in my hifi I make sure that I’m present and fully ”there” to experience the shift. It’s just something I do and it makes the gear-side of this amazing hobby even more enjoyable for me. And today, presence presented itself. And the aim was a solid comparison between the old and the new.

It was easy to switch between the rubber feet currently supporting my DAC, originally purchased for my old set of speakers for around €25. Very basic, quite stiff. But still they dampen some vibrations. With my Denafrips Ares II DAC resting on the rubber feet, the AUVA EQs could fit comfortably underneath the DAC without touching, which meant switching between the two dampening philosophies was fast and with minimal effort.

The CD-track for this episode of Experiencing the Shift was the pianist Tiffany Poon’s solo contribution to The Dvořák Album with Jan Vogler et al (Sony, 2022), the wonderfully naïve No. 7 from 8 Humoresques, Op. 101. I know this track well.

After a few back and forths, the difference became clear. With the AUVAs the body of the piano was fuller, more three dimensionally carved in space, and the depth and dimensions of the space around the piano was much more defined. And the whole presentation appeared bigger. The piano itself was presented with more authority, and a sense of ease. The notes sounded more liquid and smooth. With the plain rubber feet on the other hand, the timbre of the piano was more on the lively side. But in comparison it sounded as if the wooden structure of the piano was somewhat missing, with focus being on the brilliance of hammers on strings rather than a cohesive representation of an instrument with a character of its own.

Again, upgrading my hifi with another set of AUVA EQs has made the music in my treated listening room sound even less like a recording, and even more like the real thing.

What a time to be alive."

Filip S

Used with: Cayin CS-88A tube amp, Denon DCD-1700NE CD transport

"The AUVA EQ Isolators are excellent examples of how well-designed isolation can elevate a high-fidelity system. They don't fundamentally change the character of your components or speakers, but rather allow them to perform closer to their true potential."

"I have been music lover and hifi enthusiast for over 30 years and I constantly seeking to extract the utmost performance from my system, I've had my share of experiences with various isolation products. Recently, I've had the pleasure of integrating Stack Audio's AUVA 100 speaker isolators and AUVA EQ component isolators into my setup, and the results have been genuinely impressive.
The core technology behind both, the "Particle Impact Damping," initially sounded like something from a science fiction novel, but in practice, it delivers. The idea is to rigidly support the equipment while simultaneously absorbing unwanted vibrations through the movement and collisions of internal particles. This differs from many traditional isolation methods that rely solely on compliant materials.

On the Stack Audio AUVA 100 Isolators (for speakers):
Placing the AUVA 100s under my speakers was the first step. Visually, they are substantial and well-engineered, adding a touch of industrial elegance to the speaker stands. The immediate sonic impact was not a subtle "night and day" difference, as some might hope for with any tweak, but rather a profound refinement of the sound.
The most noticeable improvement was in bass definition and control. My speakers (Kerr Acoustic K200), already capable, seemed to gain an extra layer of precision in the lower frequencies. Bass notes became tighter, more articulate, and less prone to blurring, even in complex passages. This wasn't about more bass, but better bass – leaner, faster, and with improved texture.
Beyond the bass, the soundstage opened up significantly. There was a greater sense of space around instruments and vocals. Imaging became more pinpoint where everything is much easier
to follow . Vocals, in particular, seemed to gain clarity and presence, becoming easier to decipher and more emotionally engaging. It felt as if a veil had been lifted, revealing nuances I hadn't fully appreciated before.
The music flowed more effortlessly, creating a more natural and involving listening experience.

On the Stack Audio AUVA EQ Isolators (for components):
Encouraged by the speaker isolators, I introduced the AUVA EQs under all my electronic components, starting with my digital source, Cen.Grand DSDAC 1.0 Advance. Each isolation platform has SA AUVA EQ specifically for the certain weight. These smaller, more discreet isolators work on the same principle, aiming to decouple sensitive electronics from vibrational interference.
The EQs delivered similar benefits to their larger speaker counterparts, albeit on a more nuanced scale. I perceived an increase in overall resolution and detail. Subtle reverbs and low-level information in recordings became more apparent, contributing to a richer and more realistic soundstage. The sense of clarity extended across the frequency spectrum, making it easier to follow individual instrumental lines.
There was also an improvement in spatial focus. Images within the soundstage became more sharply defined and had a greater sense of three-dimensionality. With all these the music becomes more natural and more engaging.

Overall Thoughts:
Both the AUVA 100 and AUVA EQ isolators are excellent examples of how well-designed isolation can elevate a high-fidelity system. They don't fundamentally change the character of your components or speakers, but rather allow them to perform closer to their true potential by minimizing the impact of environmental vibrations. The improvements are cumulative and contribute to a more natural, detailed, and engaging listening experience.
While these products represent an investment, for those serious about getting the best from their audio equipment, the sonic enhancements they provide are, in my opinion, well worth the outlay. They are a testament to the fact that addressing vibration can be one of the most impactful upgrades in a high-end audio system."

Richard D. - UK

Used with: Cen.Grand DSDAC 1.0 Advance DAC

"Initial EQ placement next to the existing feet provided some benefit in overall sound clarity and bass tightness and reach. After some re-positioning, it was perfect! All benefits noted with the initial traditional placement were improved by multiple factors along with the introduction of musical coherence."

Ralph B - USA

Used with: Jadis DA50S integrated amplifier

“Ernestine Anderson's "Moonlight in Vermont" is from the '60s, and like much of the music from that time, it is recorded without much compression and digital tricks. I tried listening without the Stacks under my Lyngdorf TDAI-1120 amp. The sound was good—open and beautiful. After placing the EQs back, the reverb of her smooth vocal was clearly audible, and there was a better flow and ease to the music that was captivating.

So, the AUVA EQs will stay, replacing a set of IsoAcoustics Orea Bronze and some EVPs, which are both good. Stack Audio’s EQ footers are just better—more musical and more enjoyable.

Kurt Lassen © 2024”

Kurt L. - DK

Used with: Lyngdorf TDAI-1120 amplifier

"The most obvious improvement is that it's more musical, followed by better separation, and bass might be improved, but I haven't tested properly yet.
The new set goes under the Primaluna pre amp.

With the new set landed under the pre amp. Primaluna evo400, and i can only say wow! That's a huge difference.
Didn't expect something like that. Everything became very natural and organic with better dynamics, way dipper."

Andy N. - UK

Used with: PrimaLuna EVO 400 preamp

"Now a little about the sound - a better definition of the entire sound spectrum, a more adjusted bass that benefited vocals as well as the rest of the sound spectrum.
The sound has been changed, I would say that it is now globally finer."

Ivica S. - Croatia

Used with: Naim Uniti Nova

“I have some wonderful new feet! However I am pleased to say that I have not had a surgical operation. Instead, I have purchased two sets of Stack Audio EQ isolation feet for my hi-fi.

These components are beautifully constructed in every respect. I also particularly

liked the unique concept upon which these were designed.

I have fitted them beneath the chassis of my Roksan Caspian M2 Amplifier and CD player.

Overall, the effect of the AUVA EQ’s was more noticeable beneath the amplifier where the improvements were noticed immediately. The effect on the CD player was a little more subtle but nonetheless resulted in the same things being improved..

Having played many different tracks from many different artists my conclusions are as follows:

Clearer separation of instruments.

Overall production has more clarity and detail

Hearing some instruments that I had not really noticed before

Sheer slam and attack on the drums is improved

Bass has become deeper with more control and drive/slam Vocals are more prominent Soundstage improved across the board.

My system has never sounded quite so good."

Music played

Via LP12 Turntable

Eric Clapton - Unplugged

Bruce Springsteen - Western Stars

Mark Knopfler - Privateering

Dire Staits. - Brothers In Arms.

Tracey Chapman - Self Titled, also Crossroads

Jennifer Warnes - Famous Blue Raincoat.

Rolling Stones - Some Girls

Roxy Music - Avalon

Eva Cassidy - Acoustics

Norah Jones - Come Away With Me

Via CD Player

Norah Jones - Come Away With Me

Eva Cassidy. - Songbird

Mark Knopfler & Emmylou Harris - All The Road Running

Paul Simon - There Goes Rhymin Simon

Paul Simon - The Essential Paul Simon

Bruce Springsteen - Western Stars

Michael Jackson - Earth Song

Goldfrapp - Supernature

Alun R.”

Alun R. - UK

Used with: Roksan Caspian M2 amplifier and CD player

"The second set of AUVAs are a revelation under my Musical fidelity m6scd  cd player compared to the Isoacoustics OREA Indigo isolators the same as I found using them under my streamer I sit in amazement at how something that has practically metal to metal contact can improve the sound so much, once you put them under the equipment you do not want to remove them, the sound is so much more open detail comes out you have not heard before."

"Received my third set of AUVA EQs this week. They never cease to amaze me, they have made a very noticeable improvement in the bass, imaging and spaciousness of my Sugden Audio Masterclass IA-4 and Union Research Simply 4 Valve amp. Can't wait to see what a difference they make to my Garrard 401!"

"The latest order of AUVA's have worked their magic again, this time on the British amp classic Quad11. Tighter bass, wide soundstage and clarity and they look very impressive on these amps."

David A. - UK

Used with: Musical Fidelity M6sCD CD player

"Pleased to say the EQs were delivered last week and they have since been installed and doing a great job.

My intention was to remove the turntable feet and replace directly but discovered the existing feet are precision made to fit within the platter. SME do amaze me.So although you advise the feet should be placed directly in contact with the equipment, I tried them under the existing feet. Size-wise and paint finish-wise, they are a perfect match. They have also rectified the vibration issue so I am more than happy."

Kevin B. - UK

Used with: SME turntable

"Our experiments brought us to the following conclusions:

Using the EQs with source units (Oppo and TT) resulted in improvements which were clearly audible and essential. It sounded as if the musicians were present in the room!
Using them with the T+A SR 1560 R surround receiver brought no improvement when comparing with the existing Inakustik elements.

With the TT we had to put them under the original feet because the bottom is not even. But as you expected there was a clear improvement."

Klaus B. - Germany

Used with: Oppo player

“everything just sounds calm and smooth. Soundstage seems deeper and more accurate.”

Stephen - AU

Used with: Krell K-300i amplifier

“the EQs presented a wider soundstage combined with the focus and transparency of small details.”

Oliver Gnass - CA

Used with: Gold Note PA-10 amplifier, Eversolo DMP-A6 Master Edition streamer

“these AUVA Eq's either make a difference in overall sound stage and in deeper darkness”

Brian C. - US

Used with: Linn Selekt DSM streamer

“brought more detail and musicality”

Ed G.

Used with: Audiolab 9000 CD transport

“the AUVA EQs are excellent”

Fabio Q. - CH

Used with: ATC P2 power amp

“The music sounds clearer, more defined, more quiet and the decays are more prominent. Bass is tighter”

Larry G. - US

Used with: Rogue Audio RP-5 preamp

“the EQs under the streamer are doing a wonderful job, so very happy”

Bob M. - UK

Used with: dCS Rossini streamer

“The online reviews were right, these isolating supports are amazing. I am now hearing parts of my music collection I didn't know I had.”

Steve

Used with: turntable, Linn DSM streamer amp

“Oh my god! I did not expect a lift in sound quality on this scale for the Mola Mola DAC and Grimm MU1. It's out of this world regarding resolution, tone, deep fruity bass, scale of soundstage and engagement.”

Brian - DK

Used with: Mola Mola DAC, Grimm MU1 streamer

“initial results are very encouraging”

Stephen C. - UK

Used with: D'Agostino Momentum S250 MxV power amplifier

“the CSA 2's do make a noticeable improvement to my overall listening experience. Well worth the investment. It was not subtle.”

Mike

Used with: Bricasti M5 network player

“I found using the AUVA under my turntable & cd player a noticeable improvement in the soundstage, it was more focused. The treble had a little more clarity and voices were that little bit more natural.”

Neil C. - UK

Used with: Rega Naia turntable

“I've just installed the isolators under my amp and streamer and I've got to say that myself and my wife (who is not an audiophile) are both amazed by the difference these isolators have made.”

Mel - UK

Used with: Linn Selekt DSM streamer, Naim amplifier

“The bass is much more detailed - The no rumble - A much quieter background”

Albert Wester - NL

Used with: Argon Audio TT-3 turntable

“Both AUVA 1 and 3 made a huge difference in sound quality, truly amazing detail, soundstage, 3D”

William T. - SE

Used with: McIntosh preamp, McIntosh power amp

“I have been using the AUVA's for some days now and my speakers and turntable sound amazing! Very happy with the purchase! It's a big improvement”

Yorick B. - NL

“love the sound of it on my Auralic, it's more analog & non fatigue.. texture had improved”

Edmund - SG

Used with: Auralic streamer

“a slightly bigger soundstage and imaging appears to be more focused. Also noticing that PRAT is improved.”

Darren B. - UK

Used with: Metronome DSS network player, EtherRegen network switch

Todas las reseñas

Crítica Opiniones

“What these petite stunners do there feels far too substantial for the outlay involved, and that, to me, is the best thing about them. Considering how the AUVA EQ behaves under electronics, and how…

Reseña de HiFi Knights

“With the EQs in place, the image deepened considerably. Paul Chambers’s bass moved to a specific position in space. Bill Evans’s piano gained a rightward placement that the recording clearly intended…

Reseña de HiFi Daydreaming

“I placed a set of AUVA EQs under the Laiv Harmony DAC and immediately noticed the sound became cleaner and clearer—without tipping into sharpness or excessive analysis.

Reseña de iiWi Reviews

“The spatial representation of the music becomes more tangible and natural. The more realistic, more concrete representation of the virtual stage seems to me to be the key point of the AUVA EQ.”

Reseña de FairAudio

“The Stack Audio AUVA EQ Isolators are a game changer. They gave me the perfect balance of Isolation and Sound performance”

Reseña de Vinyl Latte

“With the feet, the Stereo image was fixed, locked straight ahead.”

Reseña de Paul Rigby

“With the EQs in place, there was a percussive thump to the leading edge of the drumbeat that was lessened when the EQs were removed. Also, with EQs, the drumbeat held its own behind the bass. Without…

Reseña de HiFi Pig

“The AUVA EQs work as promised and do so in an excellent manner.”

Reseña de HiFi.NL

“throwing a ball into soft sand –the sand absorbs the energy from the ball, preventing it bouncing.”

Reseña de Jason Kennedy

“It was different with the AUVA EQs. Sound became more three-dimensional with them, more”

Reseña de HighFidelity Magazine

“I review many good products, but occasionally there is a product that blows me away. This is such a product.”

Reseña de Hans Beekhuyzen

Todas las reseñas

Compre el AUVA EQ

Aisladores para sistemas AUVA EQ
Aisladores para sistemas AUVA EQ

Aisladores para sistemas AUVA EQ

description

El aislador para equipos AUVA combina dos tecnologías de absorción de vibraciones diferentes, AUVA y CSA, que trabajan en perfecta sintonía para lograr un rendimiento de aislamiento sin igual. La rígida carcasa de aluminio mecanizado del AUVA EQ está diseñada para colocarse debajo del equipo de alta fidelidad, en contacto directo con su chasis. El absorbedor de silicona descansa sobre la balda o el rack de alta fidelidad. De este modo, el chasis del equipo queda acoplado directamente a la cámara AUVA del EQ, pero desacoplado de la balda gracias a la suspensión CSA.

£198.00IVA incl.

1
  • Garantía de devolución de 60 díasReembolso íntegro, recogida gratuita
  • Envío gratuitoOn orders over £250
  • Logística regionalEnviado en 2 días laborables
  • Excelente valoración en TrustPilotValorado como «Excelente» por nuestros clientes

The AUVA Equipment Isolator synergizes two distinct vibration-absorbing technologies: AUVA and CSA, working together in perfect tandem to achieve unparalleled Isolation performance. The rigid machined aluminium shell of the AUVA EQ is designed to sit underneath the piece of Hi-Fi equipment in direct contact with the case. The silicone absorber sits on the hi-fi shelf or rack. As such, the case of the Hi-Fi equipment is directly coupled with the AUVA chamber of the EQ but de-couple from the Hi-Fi shelf via the CSA suspension.

The Custom Silicone Absorber is specifically formulated to absorb high levels of external vibration including room reflections and reverberation that can be transmitted up through HiFi racks. The CSA is height adjustable and comes in 3 versions to work optimally with different weights of equipment:

Optimal load (per foot)

  • CSA 1: 0-4kg, (0-9lbs)
  • CSA 2: 4-10kg (9-22lbs)
  • CSA 3: 10-15kg (22-33lbs)

All weights are per isolator, divide the weight of your HiFi by the number of isolators you will be using to ascertain which CSA insert you will require. For example, a 15kg amp using 3 Isolators would be 15/3 = 5kg (CSA 2).

UK orders ship from our UK warehouse, with UK VAT included.

All European orders ship from our warehouse in the Netherlands, with your country’s VAT included at checkout, so there are no import duties to pay on delivery.

All US orders ship domestically from our US fulfilment centre. A 10% price adjustment covers pre-paid import costs, so the price you see is the price you pay, with no customs delays.

All Australian orders ship from our Australian fulfilment centre. A single location-based price adjustment covers GST, import handling and processing upfront, so the price you see at checkout is the final price you pay.

Orders to the rest of the world ship from our UK warehouse and are shown without VAT. Local import duties and taxes may be charged on delivery.

Useful duty and shipping information can be found here.